Contest Photo #8

January 1961

As part of my endless tirade against dialog…

Consider what quality of the picture you’re responding to. Is it the color or tone? The framing? The setting? The body language?

Here, really look at the objects. What’s the story here? How can you short cut or imply that meaning in as few words as possible?

Sorry about the light flare at the side. I try to avoid that.